NEWS
NEWS
REVIEWS
“…there's "a new sheriff in town," she's packing heat, and you'd best listen carefully to what she has to say.” 4.5 stars
Read the review by Jack Bowers for All About Jazz here. Also in Jack’s ‘Best Releases’ list of 2020.
“For me, the final two numbers of the evening (both arranged by Perica) provided the night’s most satisfying moments. On The Peacocks, singer Michelle Nicolle revelled in the rich orchestral colours and slid across angular melodic intervals with unerring poise. And Perica’s composition Rebrahmanization made for a majestic finale, the MSO and big band relishing the tune’s joyful propulsion that swept us along in its wake.”
Jessica Nicholas, The Age on MIJF x MSO Opening Night Gala 2021
“Love is a Temporary Madness signals the arrival of a major new voice in the world of large ensemble jazz. Writing for her namesake orchestra—a big band stacked with some of Australia's top musicians—Vanessa Perica makes some serious waves. If jazz bias and press didn't so clearly favor North America, it's likely that this lauded debut would've drawn even more plaudits.”
Dan Bilawsky, All About Jazz. Read the full article here.
4.5 stars “…an ambitious album of great depth…”
Read the review by Eric Myers for The Australian here.
"Not for nothing is her “band” called the Vanessa Perica Orchestra. And boy do they pack a punch alongside so many attractive melodies, swooping and surging thrillingly, while always finding a way to swing. It’s a fantastic sound – and, just quietly, as capable of more intimate “small” moments as the big sound - it’s seen the album longlisted for the Australian Music Prize..."
Read the full story by music journalist, Bernard Zuel here.
“Perica’s compositions warrant comparison with the work of contemporary American composer Maria Schneider… Schneider’s masterful compositions like ‘Cerulean Skies’ or ‘The Thompson Fields’ are full of visual cues, bold and dramatic, as they strive toward narrative or storytelling. In the same way, Perica creates dense, multi-layered works, full of complex shading, that are forever twisting and turning, alternating solid rhythmic foundation with free-flight. At their best, they are brimming with emotional resonance, highlighted by rich sonorities.”
Read the full review of ‘Love is a Temporary Madness’ by Des Cowley for Rhythms Magazine here.
“The imaginative richness of her orchestral writing is evident in these seven medium-length compositions, characterized by arrangements with generally tight tempi and dynamics in constant development. The reference aesthetic is the incisive modern mainstream of Thad Jones and Mel Lewis, combined with the timbrally sumptuous atmospheres of Maria Schneider. “
4 stars - Album of the week
Read the full review by Angelo Leonardi at All About Jazz Italia here.
“Vanessa’s exceptional writing achieves a sensitive balance between involved ensemble composition and providing space for many of the personalities of the all-star band to shine.”
Read the review of ‘Love is a Temporary Madness’ by Rafael Karlen, for The Music Trust.
“…instantly compelling. There is nothing easy about composing and arranging Jazz orchestral charts and few musicians embark on this tortuous path. Thankfully Perica did, and her charts are magnificent.”
Read the full review by John Fenton at JazzLocal32.com here.
PRESS
Thank you to The Music Trust for inviting me to contribute some words as part of their ‘Inside The Musician’ series. It was a nice opportunity to reflect on my journey so far. Link to story here.
CHARTS
‘Love is a Temporary Madness’ entered the ARIA Jazz & Blues charts at number 5! Behind Michael Buble, Norah Jones and Pat Metheny. It then re-entered at number 3 a couple of weeks later.
It also debuted on the AIR Independent Music charts at number 2, and returned in top spot weeks later!
RADIO
Delighted to be a guest on ABC Radio National’s ‘The Music Show’.
Hear the interview with Andrew Ford here.